How healthy a concept and a practice is the western canon?

Music: How healthy a concept and a practice is the western canon?

Music
How healthy a concept and a practice is the western canon? Discuss in relation to case studies of your choice.
You are welcome to cover music from any angle (as composition, as performance, as listening experience, as ritual) in your answer. You should use case studies from within or outside the unit material to illustrate your broader points. Consider how your case studies limit the conclusions you can legitimately draw, and aim for a combination of broader-based argument on the one hand and case-study depth on the other.
READING: Marcia Citron, Gender and the Musical Canon (Cambridge: Cambridge University Press, 1993), chapter 4, ‘Music as gendered discourse’, 120-64.
Ian Biddle, Music, Masculinity and the Claims of History: the Austro-German Tradition from Hegel to Freud (Farnham: Ashgate, 2011).
Marcia Citron, ‘Gendered Reception of Brahms: Masculinity, Nationalism and Musical Politics’, in Masculinity and Western Musical Practice, ed. Ian Biddle and Kirsten Gibson (Farnham: Ashgate, 2009), 141-59.
Suzanne Cusick, ‘Gender, Musicology, and Feminism’, in Rethinking Music, ed. Nicholas Cook and Mark Everist (Oxford: Oxford University Press, 1999), 471-498.

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